Photography at MoMA: 1840 to 1920 – Hardcover

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Edited by Quentin Bajac, Lucy Gallun, Roxana Marcoci, and Sarah Hermanson Meister. With contributions by Geoffrey Batchen, Michel Frizot, Shelley Rice, and Bonnie YochelsonSince the invention of photography, legions of practitioners have mined its artistic and practical potential, paying particular attention to its novel depiction of space and time, its utility as a tool for documentation and exploration, and its distinctive take on modernism and modernity. This volume explores the ways in which this new mediumphotographyand this new apparatusthe cameraevolved during its first century, from the masterworks of William Henry Fox Talbot, one of photographys inventors, to the portraits of Julia Margaret Cameron, Nadar, and Gertrude Ksebier; the motion studies of Eadweard Muybridge; surveys of landscape and architecture by American and European practitioners; the documentary images of Carleton Watkins, Eugne Atget, and Lewis Hine; and the modernist works of Karl Blossfeldt, Edward Steichen, and Paul Strand.This publication provides a wide-ranging look at a medium so thoroughly and instantly modern that it is represented in MoMAs collection by works that predate any of the Museums paintings or sculptures by a full forty years. And now, more than 175 years later, the modern spirit of early photography remains intact, and Photography at MoMA: 1840 to 1920 provides a record of its contradictions, aspirations, and achievements. 416 pp.; 390 illus.This is the firstvolume in the three-volume Photography at MoMA series, which draws upon the exceptional depth of the Museum’s collection to tell a new history of photography. View the other titles in the series: Photography at MoMA: 1920 to 1960and Photography at MoMA: 1960 to Now.